In hands-on, topic-driven courses, learn how to engage with the practices and histories surrounding the discipline of textiles as it relates to issues in contemporary art practice, design, craft, and activism.


Make textile thinking radical

Plants wrapped in muslim to create natural dyes.

Explore the interdisciplinary potential of textiles and material thinking

One of the oldest aesthetic traditions in the world, textiles are currently on the cutting edge of contemporary art practice and critical inquiry. Artists working in interdisciplinary zones are picking up cloth and thread to incorporate the discipline’s creative and conceptual potential.

Student working with multi-colored yarn in loom studio.

Textiles at CCA is an interdisciplinary Fine Arts program that introduces students to a vast range of textile construction methods, such as weaving, printing, dyeing, and hand-work, through conceptual and experimentally driven frameworks. We consider textiles to be more than a way of making. It is a radical way of thinking about structure and pattern, color and material, environment and community.

textiles class explores the studio of Lia Cook, professor Emeritus

Join an internationally recognized program

With a reputation for cutting-edge work, our internationally recognized Textiles program teaches you to think beyond the crafted object. Compared to other programs in the United States, our courses are topic-driven, designed to build technical skill, while promoting critical thinking, research, and problem-solving. Students are encouraged to investigate relevant issues such as the social and environmental implications of mass production, analyze the gendering of work, and interrogate systemic forms of oppression. Contemporary critical race theory, gender theory, queer theory, and slow methodologies aid in our inquiry to understand the shape of an innovative and relevant textiles practice today.

Studios & Shops

Textile practices for the 21st century

Two students screen printing a large banner.

Equal parts analog and digital, our state-of-the-art studios are designed to foster a range of applications: experimental, functional, and industrial. Planar and linear forms of textile construction and surface manipulation—including low and high tech weaving, hand and screen printing, natural and chemical dyeing, spinning, stitching, felt-making, knitting, crocheting, embroidery, and basketry—provide the backbone of our curriculum. As you refine your technical and conceptual skills, you’ll develop a distinctive artistic voice and build a body of work that culminates in a senior exhibition.

A student using a digital loom.

Weaving through the hand and the digital

With floor looms and computer-operated dobby looms, our Weaving Studio supports our commitment to an ever-expanding rhetoric around contemporary interdisciplinary strategies that integrate fine art, design, and craft. In this regard, our looms function as tools to negotiate conversations around cloth, technology, and the body. Weaving courses such as Vagabond Weaving and Zeros+Ones highlight the intersections between hand and digital technologies.

Our Textiles program is one of only a few in the United States that teaches digital weaving on hand-powered Jacquard looms for both art-based and commercial applications. Students meet alumni who use the Jacquard loom as their primary tool through the Lia Cook Jacquard Residency, learning from these artists’ experimental weaving work during studio visits, critiques, and public lectures and demonstrations.

Eboni Johnson and Linh Phan holding textiles from the indigo dyeing event.

Encouraging open dialogue and critique

As a way to nourish critical conversations around textile history, theory, and practice, the Textiles seminar room functions as the hive of our close-knit community. Lively lectures, discussions, and critiques within the classroom provide the intellectual backbone to our making-intensive curriculum. The seminar space also doubles as the Fiber Sculpture Studio, where students are encouraged to harness the social and political implications of hand-work in such courses as Knitting It All Together, Darn It, and Hand Tech. These courses harness the potential to discuss culturally relevant issues through traditional forms of handwork and embellishment.

Zapotec natural dyers and weavers Mariano Sosa Martinez and Rafaela Ruiz Gutierrez exchange information about dye plants with students in the Community Garden.

Zapotec natural dyers and weavers Mariano Sosa Martinez and Rafaela Ruiz Gutierrez exchange information about dye plants with students in the Community Garden. Photo by Deborah Valoma/CCA.

Integrating slow-textiles techniques

Shared with the Community Arts program, the Textiles program’s Community Garden, is used to cultivate and harvest plants for fabrics and dyes. Our Soil to Studio course investigates natural dyes and slow textiles, makes connections to the sources of our materials, and advocates for responsible and sustainable modes of production.

Our Print Studio and Dye Lab are outfitted with individual print stations, a production print table, and a large vacuum exposure unit. Print courses such as Wet+Wild and Interiority Complex delve into the painterly qualities of dye on cloth, photo- and computer-generated imaging, and the complexities of screen printed repeat patterns for applications in fashion and interior design.

Studios outfitted with a range of equipment

  • Two computerized TC-2 Jacquard looms
  • AVL 24-harness computer-controlled dobby loom
  • Multi-shaft floor looms
  • Spinning wheels
  • Print Studio with a 33-foot print table for large-scale projects
  • Industrial dye studio
  • Large-format exposure unit for screenprinting
  • Industrial serger
  • Vacuum-forming machine
  • Industrial and home-sewing machines
  • Light tables

Additional shops, labs, and studios


Learn from leading textiles artists

Our internationally renowned faculty have diverse studio practices. As visual artists, designers, and historians, our instructors guide students through contemporary discourse and help them develop thoughtful, nuanced creative practices.

Portrait of Deborah Valoma.

Deborah Valoma, Chair of Textiles

Chair Deborah Valoma’s hybrid practice integrates making, research, and writing to investigate textiles as signifiers of identity and agents of cultural continuity. She’s developed a series of courses that interrogate textile culture through theoretical lenses, including colonization, cultural appropriation, and gender- and race-based hierarchies of value. Valoma has written articles and catalogue essays; curated exhibitions; and published the book Scrape the Willow Until It Sings, which traces the Indigenous thinking and making of Julia Parker, the premier Native American basket weaver in California.

Valoma is currently working on a multi-year interdisciplinary project that began when she inventoried a collection of textiles inherited from her grandmother—many made by her Armenian foremothers in Ottoman Turkey villages. A combination of research, archiving, and responsive making, The Armenian Postmemory Project addresses the role textiles play in cultural survival in the diaspora.


We think with our hands

Create truly meaningful work

Textiles at CCA is one of the preeminent Textiles programs in the United States. Our curriculum combines theory and practice, intellectual engagement, and embodied learning. We offer a rotating suite of courses, and unlike traditional textile design programs, ours is rooted in a fine arts practice with a strong interdisciplinary approach. Students have the freedom to push into the expanded field of textiles, and many incorporate other disciplines in their textile making, including fashion, animation, film, performance, painting, poetry, community engagement, and more.

Exploring diverse cultural traditions

In addition to studio courses, the hallmark of our curriculum is a comprehensive series of courses on textile history and theory. Media history coursework discusses Indigenous making practices, the role of textiles in industrialization and colonization, and how textiles shape gendered and ethnic identity on the body. Theory courses such as Textilities and Chromophlia investigate the metaphorical meanings of textiles and the contentious histories of color and dye. View sample courses.

Investigate ideas through every dimension

Before diving into their chosen major, every undergraduate participates in the First Year Experience. Students explore a wide range of materials and tools over the course of two semesters. Faculty from different disciplines guide studio projects, group critiques, and theoretical discussions, setting students up for success throughout their major coursework.

BFA Textiles

Core Studio

Drawing 1
3.0 units
2D, 3D, and 4D
9.0 units

Textiles Major Requirements

Introduction to Textiles
3.0 units
Level 2 Textile Studios
12.0 units
Topic Seminar
3.0 units
Contemporary Issues in Craft Theory
3.0 units
Digital Tools Textiles
3.0 units
Craft Workshop
3.0 units
Level 3 Textile Studios
6.0 units
Senior Project
6.0 units

Additional Studio Requirements

Interdisciplinary Critique
3.0 units
Interdisciplinary Studio
3.0 units
Critical Ethnic Studies Studio
3.0 units
Studio Electives
12.0 units

Humanities & Sciences Requirements

Writing 1
3.0 units
Writing 2
3.0 units
Introduction to the Arts
3.0 units
Introduction to the Modern Arts
3.0 units
Foundation in Critical Studies
3.0 units
Media History: Textiles
3.0 units
Critical Ethnic Studies Seminar (2000 level)
3.0 units
Literary and Performing Arts Studies (2000 level)
3.0 units
Philosophy and Critical Theory (2000 level)
3.0 units
Social Science/History (2000 level)
3.0 units
Science/Math (2000 level)
3.0 units
History of Art and Visual Culture (2000 level)
3.0 units
Humanities and Sciences Electives (2000 or 3000 level, at least 6 units must be 3000 level)
12.0 units

Total 120.0 units


Think urgently through slow processes

Our broad curriculum prepares students to make a positive impact in multiple fields. After graduation, our students are ready to pursue careers as interdisciplinary artists, designers, entrepreneurs, activists, and community organizers. They have the skills to work within the industry and push beyond it, successfully expanding narratives about materiality and craft. Some students become designers in textile production, but many more pursue careers as fine artists and achieve international gallery representation.

Potential career paths

  • Independent artist
  • Independent designer
  • Surface designer for industry
  • Woven/knit designer for industry
  • Textile producer
  • Textile historian/cultural anthropologist
  • Political activist
  • Designer focused on permaculture, slow fashion, and sustainability
  • Educator

News & Events

Showcasing diverse perspectives

How to Apply

Evolve your craft

Textile students are artists who want the freedom to chart their own conceptual paths. Whether you’re interested in activist-inspired work, fiber arts, or experimental modes of design thinking, you’ll find the raw materials, inspiring theoretical discussions, and supportive community to achieve your goals. Our program’s correlation to painting, printmaking, and sculpture presents you with many opportunities to investigate and expand the capacities of cloth as a tool in a range of fine arts practices.

Find your creative community at CCA

Apply now